Shadow (detail from the series)

Shadow (detail from the series) 2011, Polymer gypsum,High density foam, steel, 72x36x29 inches

Maquette

Maquette 2005, laser cut steel, Dimensions variable

Uplift: The Mountain

Uplift: The Mountain 2008, site-specific installation at Palazzo Delle Papesse, Dimensions variable
Image by E. Bialkowska for the Palazzo Delle Papesse, Siena, Italy

Solid Light String

Solid Light String 2007, site-specific installation at David Krut Projects, Johannesburg, Dimensions variable

The Five Boroughs - Queens re-mapped

The Five Boroughs - Queens re-mapped 2005, archival ink on Somerset cotton rag, 48.3 x 76.2cm
Image Courtesy Sean Slemon

Sef-Portrait with Light Bulb

Sef-Portrait with Light Bulb 1999, charcoal on canvas, 2 panels,
Image Courtesy Sean Slemon

Chalk/Charcoal - A Battle

Chalk/Charcoal - A Battle 2010, chalk powder and charcoal on Fabriano, 76.5 x 57cm
Image Courtesy Brodie/Stevenson

Sand/Cement - A Battle

Sand/Cement - A Battle 2010, sand and cement on Fabriano, 76.5 x 57cm
Image Courtesy Brodie/Stevenson

Public Property

Public Property 2007, video stills (10 images) digital print on archival paper, 60.5 x 112cm

Public Property

Public Property 2007, video stills (10 images) digital print on archival paper, 60.5 x 112cm
Image Courtesy Brodie/Stevenson

Acacia in debt

Acacia in debt 2009, soil and polyurethane on vellum, 167 x 91.5cm
Image Courtesy Brodie/Stevenson

A balancing act of value

A balancing act of value 2010, Installation,

Sean Slemon

Listings(s)

'In the Red/In the Black'

Sean Slemon at Stevenson in Johannesburg

Sean Slemon's solo exhibition of installations and drawings considers the manipulation of nature by capitalist economies. This show takes place under the auspices of Brodie/Stevenson's project room. 


14 January 2010 - 13 February 2010

'The Sun Stands Still'

Sean Slemon at MagnanMetz Gallery

'The Sun Stands Still' envisions a scenario where the sun could be slowed, or stopped entirely, creating shadows that are physically tangible. This thought experiment intends to illustrate resources in the public sphere that are not easily quantified, such as viewing light as a resource and the individual’s proximity to the natural world. Timed to include the winter solstice, the shortest day of the year, 'The Sun Stands Still' will address the politics of access to these resources and serve as a thesis for a potential public project to raise attention to these issues among the public at large.

Making their debut are the Shadow series of life-size sculptures of the artist’s shadow rendered in polymer gypsum, foam, and steel, and finished to appear as though carved from marble. A physical rendering of intangible space, the work deftly illustrates an individual’s ability to passively consume a resource and simultaneously, effortlessly, produce a product. 'The Sun Stands Still' will also feature a large number of new drawings, photographs, and mixed-media two dimensional works rendered in natural materials such as soil and wood.


01 December 2011 - 07 January 2012