'Reconstruct'

tr.v. re·con·struct·ed, re·con·struct·ing, re·con·structs 

1. To construct again; rebuild. 

2. To assemble or build again mentally; re-create: reconstructed the sequence of events from the evidence. 

3. To cause to adopt a new attitude or outlook: a diehard traditionalist who could not be reconstructed. 

In Stephan Erasmus’s work structure plays an important role with particular focus on the encryption process. In preceding exhibitions he has used encryption systems as structures to turn the selected text into visual love letters addressed to an ever changing muse. In these exhibitions the focus was placed on the final structure as it relates to the muse this can clearly be seen in works from ‘Hartland’ where the final image in some way referenced the manifestation of the muse: the landscape, creating a direct link between the muse as Gaia. In ‘Hartland’ Gaia manifests as South Africa and the exhibition explores the artists relationship with the country as muse, sometimes as a lover and at other times as a rejected and ridiculed lover.

‘Reconstruct’ departs from the muse as the main character as seen in the previous exhibitions. In this exhibition Erasmus continues exploring the act of writing love letters through the sampling of existing text and transforming the text into two dimensional and three dimensional objects. The act of writing love letters into artworks remains a central point around which Erasmus constructs his work.  However, the focus moves away from the muse as the intended reader of the love letters, in a form that resembles the muse, and focus of his production is shifting to the act of writing and the encryption of the love letters, where the letter becomes a pattern, an object that entraps the reader/muse.

It has been suggested by Nick Cave at a series of lectures that the act of writing love letters can be equated to the binding of the recipient to the writer. Cave speaks of the act of writing as a ‘magical act’ of weaving a web and trapping the beloved in the web, binding the recipient to the writer. 

In ‘Reconstruct’ Erasmus continues to encrypt selected sections of existing text taken from love songs and poetry. In this body of work the text becomes an incantation to bind the muse to the words. For Erasmus the act of writing/weaving/reconstruction of the text becomes the focus. The process of encryption becomes in a very physical sense the weaving or the building of a web that would entangle the reader.

20 October - 06 November