The Diaries of Lady Anne B III ('A Hottentot girl': after a study by Lady Anne)

The Diaries of Lady Anne B III ('A Hottentot girl': after a study by Lady Anne) 2011, Monotype, 38 x 33 cm (paper size)

The Last Supper, Manley Villa (Hill)

The Last Supper, Manley Villa (Hill) 2008, Archival print on cotton rag, 50 x 67.5 cm

The Last Supper, Manley Villa (Demolished)

The Last Supper, Manley Villa (Demolished) 1981, Archival print on cotton, 50 x 67.5 cm

, Other Voices: The blockade is also in the mind (Authorised Location), Film set, Havana, Cuba

, Other Voices: The blockade is also in the mind (Authorised Location), Film set, Havana, Cuba 2009, Archival inks on Hahnemuhle paper, 60 x 90cm

Other Voices: Who is Johannes? Johannesburg, South Africa

Other Voices: Who is Johannes? Johannesburg, South Africa 2009, Archival inks on Hahnemuhle paper, 100 x 495 cm
Photo: John Hodgkiss

, Other Voices: For whom has the sun risen II? Chitungwiza, Zimbabwe

, Other Voices: For whom has the sun risen II? Chitungwiza, Zimbabwe 2009, Archival inks on Hahnemuhle paper, 100 x 804 cm
Photo: Husain Essop

It's a bit suspicious if you have too much money, Berlin (detail)

It's a bit suspicious if you have too much money, Berlin (detail) 2010, Inkjet print on photographic paper,

For Thirty Years Next to His Heart (detail)

For Thirty Years Next to His Heart (detail) 1990, Color laser print, 196 x 262cm

test

test 2006, oil, df

Better Lives: Richard Belalufu

Better Lives: Richard Belalufu 2003, Video,

The blockade is also in the mind (Authorized location)

The blockade is also in the mind (Authorized location) 2009, Archival inks on Hahnemühle paper, 60 x 90cm

Sue Williamson

Listings(s)

Better Lives

Sue Williamson at YOUNGBLACKMAN

The opening of Sue Williamson’s 'Better Lives' – a presentation of series of six video portraits from 2003 – will also launch the YOUNGBLACKMAN gallery, an initiative by artist Ed Young and writer Matthew Blackman on Roeland Street. In Williamson’s series, migrants, exiles and refugees listen to a previously recorded version of their life story for the first time. The subjects portray, in their facial expressions and poses, the seriousness and pathos of their stories.

The largescale video projections will be on view from the street only after dark daily - the video projection at the back of the space picks up too much light during daytime hours, though the recorded voices can be heard at all times.


29 September 2009 - 28 October 2009

Other Voices, Other Cities

Sue Williamson at Goodman Gallery

Internationally-acclaimed artist Sue Willisamson presents a show of new work at the Goodman Gallery, under the title 'Other Voices, Other Cities'. With this body of work Williamson asks what message the inhabitants of one particulat place would send out to the world in an age of global interconnectedness.


27 August 2009 - 23 September 2009

'Darkroom: Photography and New Media in South Africa since 1950'

Sue Williamson, David Goldblatt, Roger Ballen, Santu Mofokeng, Jurgen Schadeberg, Tracey Rose, William Kentridge, Zwelethu Mthethwa and Nontsikelelo Veleko at Virginia Museum of Fine Arts

An exhibition that considers photography’s role in South Africa’s composite transformation, Darkroom: Photography and New Media in South Africa since 1950 includes 18 artists who span four generations, including Jürgen Schadeberg, Santu Mofokeng, Andrew Tshabangu, David Goldblatt, Sue Williamson, Thando Mama, Zwelethu Mthethwa, Nontsikelelo Veleko and William Kentridge.

The exhibition's eight sections highlight the ways that these artists have addressed South African culture from various perspectives, and their increased presence in the global art world since 1994. 'The social and political transformation of South Africa is one of the most remarkable stories of the second half of the twentieth century,' says Alex Nyerges, director of the Virginia Museum of Fine Arts. 'To engage with it directly through the eyes of those who experienced and documented the anguish, turmoil and elation of the period is both uplifting and thought-provoking.'


21 August 2010 - 24 October 2010

'Impressions from South Africa, 1965 to Now'

Sue Williamson, John Muafangejo, Cameron Platter, Sandile Goje, Senzeni Marasela, William Kentridge, Kudzanai Chiurai, Claudette Schreuders and Bitterkomix at MoMA

During the oppressive years of apartheid rule in South Africa, not all artists had access to the same opportunities. But far from quashing creativity and political spirit, these limited options gave rise to a host of alternatives—including studios, print workshops, art centers, schools, publications, and theaters open to all races; underground poster workshops and collectives; and commercial galleries that supported the work of black artists—that made the art world a progressive environment for social change. Printmaking, with its flexible formats, portability, relative affordability, and collaborative environment, was a catalyst in the exchange of ideas and the articulation of political resistance.

Drawn entirely from the collection of The Museum of Modern Art, 'Impressions from South Africa, 1965 to Now' features nearly 100 posters, books, and wall stencils created over the last five decades that demonstrate the exceptional reach, range, and impact of printmaking during and after a period of enormous political upheaval. From the earliest print in the exhibition, made in 1965 (the Museum’s first acquisition of work by a South African artist), to printed posters from the height of the antiapartheid movement in the 1980s, to projects by a younger generation that reflect new and evolving artistic concerns, these works are striking examples of printed art as a tool for social, political, and personal expression.


23 March 2011 - 14 August 2011