Study for Solaris

Study for Solaris 2007, single channel video; colour; sound 6 min 35 sec,

Study for Solaris

Study for Solaris 2007, single channel video; colour; sound 6 min 35 sec,

Solaris

Solaris 2007, single channel video; colour loop,

Odradek: Liam Gillick’s Odradek Wall reflected in Donald Judd’s Blue Stack Piece; 23 September 1998

Odradek: Liam Gillick’s Odradek Wall reflected in Donald Judd’s Blue Stack Piece; 23 September 1998 1998, durst lambda transparency; light box, 125 x 165 cm

Zama and 1stborn Wiring the Air–X

Zama and 1stborn Wiring the Air–X 2009, ultrachrome on canvas, 112 x 150 cm

FRIDAY  Installation view: Vesleskarvet Nunatak, Dronning Maud Land, Antarctica

FRIDAY Installation view: Vesleskarvet Nunatak, Dronning Maud Land, Antarctica 2009, urine and plastic bags, dimensions variable

A Luta Continua

A Luta Continua 2003, neon installation, 40 x 450 cm

Thomas Mulcaire

Current Review(s)

Thomas Mulcaire

Thomas Mulcaire at Goodman Gallery Cape

‘He is, it seems, a great believer in the meaning of meaning…The elaborate biology of sexual differentiation in the fetus [sic], the religious system of the Mormons, the infinitely convoluted esotericism of freemasonry and of the ancient Irish myths - it’s all so blatantly meaningful’ (Birnbaum, 2005: 65) [original emphasis]

Upon viewing Thomas Mulcaire’s exhibition, this quotation from Daniel Birnbaum’s 2005 essay Chronology came vehemently to mind. Whilst Birnbaum was referring to the work of Matthew Barney (specifically his Cremaster Cycle), the sentiment of ‘production of meaning as meaning’ nonetheless presents itself when considering Mulcaire’s work. In fact, this is exactly what he proffers, an assortment of signifiers titled and assembled with the express purpose of being ‘blatantly meaningful’.


01 June 2009 - 15 June 2009

Listings(s)

Thomas Mulcaire

Thomas Mulcaire at Goodman Gallery Cape

Thomas Mulcaire shows a collected body of work at Goodman Gallery Cape.


01 June 2009 - 15 June 2009