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To Get Closer or Even to Know Where to Begin

Andrzej Nowicki
To Get Closer or Even to Know Where to Begin, 2011. Watercolour and gouache on cotton paper 790 x 1080 mm.

'Little Ruin'

Andrzej Nowicki at Whatiftheworld / Gallery

Andrzej Nowicki presents a new solo exhibition titled Little Ruin, on the gallery's first floor exhibition space. This show will run concurrently with the exhibition in the main gallery space downstairs by Renée Holleman.
 
Drawing on his carefully considered archive of photographs, Nowicki uses both found and auto biographical images as a point of departure in this body of work, blurring the boundary’s between personal history and invented narrative.

Often surreal and otherworldly, Nowicki’s watercolors and collages are inspired by the effect of time on memory, and its ability to obscure certain details whilst revealing and even constructing others. The merging of the past and present, the real and the imagined are recurring themes that are explored through his use of personal symbolism.

03 September - 08 October


also showing

A Novel in Parts
Reneé Holleman

A Novel in Parts, 2011; Exhibition Invitation

'A Novel in Parts

Reneé Holleman

Whatiftheworld presents the first solo exhibition by Artist Renée Holleman titled A Novel In Parts. The exhibition takes as its point of departure the Woodstock environ, a place long on the brink of becoming something else. Suspended between a forgotten past and a promising future its current revival signals an important but not unproblematic shift within an area whose diversity marks it apart from any other in the city.

Through an inherently open construct and the lens of a mysterious event, the exhibition attempts to open up a space in which various story-lines oscillate between fact and fiction, drawing on the mythical nautical tale of the 'Flying Dutchman' as well as a legion of ships sunk off the Cape coastline. A series of sightings in the city streets at night are reported. Unverified, unlikely, they are connected to or re-iterated in a number of unreliable manifestations, none more probable than the other.

What is made visible and what is not, from Woodstock's unseen shoreline to the gallery's renovated premises, link to issues of representation that are explored in the exhibition on a narrative and conceptual level. Ideas of the staged and un-staged, and the space between production and presentation are key.

Inspired by the local neighbourhood, a certain Argentinian writer, and choose your own adventure stories, Holleman's new body of work employs the device of the novel to explore a collection of interweaving concerns that draw on history, locale, narratives of progress, abstract fable, visual conundrum and text. In so doing, she alludes to different spaces within and without the exhibition and gaps and dislocations in reading/viewing, while positioning the viewer as an interpretive agent in a diverse body of work that includes drawing, installation, sculpture and sound.





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