Archive: Issue No. 53, January 2002

23.01.02 Through the looking glass
Véronique Malherbe casts herself as queen of art tarts in 'Love and Desecration', a series of collaborative fantasies on view at the Bell-Roberts. Hazel Friedman reviews

16.01.02 Between the lines
Mark Hipper's exquisite images of children provide disconcerting reminders of mortality, impermanence and displacement. Hazel Friedman reviews

09.01.02 A feat of Odd Enjinearing
The Odd Enjinears transformed hammer and anvil into beautiful music-making devices in a series of performances at the Blacksmith Forge at the Bijou. James Webb emerged shaken and stirred

23.01.02 Art with issues
Concerned respectively with rape and the politics of dispossession, Gail Neke and Nadja Daehnke make an appropriate pairing at the Goodman. But Kathryn Smith finds the work lacking in other respects

09.01.02 A tale of two publics
Three months of performances, events, workshops and exhibitions around the politics of Joubert Park and its resident art gallery are finally over. Kathryn Smith spoke to co-ordinator Dorothee Kreutzveldt about the project's impact - on its immediate environs and the larger cultural landscape

23.01.02 Nuts and bolts of the imagination
Handspring Puppets - on view at the Tatham Gallery in Pietermaritzburg - transport Virginia MacKenny into a realm where disbelief is suspended

28.11.01 The art of branding
'Shelf Life', an investigation into the mediated landscape, provides a less than comfortable curatorial context for works by Robin Rhode and Bitterkomix. Sean O'Toole reviews

17.07.01 Mainstream America meets Kentridge
Everyone in the US art scene should know who William Kentridge is thanks to a major retrospective tour of metropolitan museums. Laurie Ann Farrell views the show in Washington and New York