The Big Issue Street Art Competition
The Big Issue, in partnership with The Gallery at the Bay in The Bay Hotel, is on the look-out for the best unknown artistic talent in the Western Cape with the launch of The Big Issue Street Art (BI-SA) awards this month. The first initiative of its kind in South Africa, the BI-SA awards are set to become an annual high-profile event on Cape Town's social calendar, inThe Big Issue's quest to uncover and highlight the raw talent of novice street artists living in informal settlements.
The creations of 20 finalists will be selected for exhibition at The Gallery at The Bay in The Bay Hotel in Camp's Bay, Cape Town. Submissions of art across all media of sculpture, photography, painting and wirework will be accepted.
Against the backdrop of a glitzy closed-door gala evening in April next year, the pieces will be auctioned and further evaluated for the first, second and third prize award categories, which will be announced at a prize-giving ceremony after the auction. Half of the proceeds from the evening will go directly into the artists' pockets and half will be donated to welfare organisation's identified by the purchasers of the art.
'This is a wonderful opportunity for street artists to showcase their talent, and to take their art to another level, to experience the thrill of having it properly appraised, evaluated and put on exhibition, to learn the business principles of selling art and to be given the impetus to make a living from their craft,' says The Big Issue managing director, Trudy Vlok. 'More importantly, this art award not only sets a benchmark against which South African street art can be evaluated and appreciated in the future, but is a platform for art connoisseurs to enjoy raw, unbridled South African talent and to get to meet the creators of these works. This, in turn will provide some insight into South Africa's socio-economic environment, and will mirror the stories and experiences of people living in the townships', said Vlok.
In addition to the exposure, publicity and financial rewards the finalists stand to gain, the recipients who place first, second and third will also win fantastic prizes. The first prize-winner will enjoy free tuition by an established artist in the medium of his or her choice.
The second and third prize-winners will each receive R3000 worth of art supplies. 'This is the first art award ceremony of its kind in South Africa to develop and grow the true artistic talent of those without financial support�, says Braam Potgieter curator and co-owner of The Gallery at The Bay where the finalists' art will be on display prior to being auctioned. The gallery not only supports established artists but also offers new artists the opportunity of exposure to the open market.
If you think you've got what it takes to enter the BI-SA competition, SMS your name to 076 481 5365 by no later than January 31 2008. You will be contacted to confirm a time and venue for evaluation of your piece. The response time will depend on the number of entries.
The following competition rules apply:
Your art must
. be handmade by you.
. be your product, it cannot have been made with the assistance of other artists, consultants, or any other person.
. be presented in a manageable size and weight.
. be delivered to a venue that will be confirmed.
. be provided on request for display purposes at The Gallery at The Bay.
. You must be willing to sell the art presented.
Conditions of the competition:
. The art provided must be a product of one artist only.
. The entrant must be a street artist or beginner artist.
. Entries will not be accepted from an artist who has a successful history in art, or has displayed at a gallery or exhibition.
. The entrant must be able to confirm how the art was produced or created.
. The entrant must be available for a final interview and describe the material used in the work.
. Entry is not age restricted.
. There will be no discrimination against any art, as long as it is manageable in size and weight.
. Competition rules are subject to change at the discretion of the organisers.
. The results of the evaluation of the art is final and at the discretion of the evaluator.
. The closing date for SMS entries is January 31, 2008.
Calls for participation in World One Minutes video exhibition in Beijing 2008
The World One Minutes foundation in Amsterdam and the Today Art Museum in Beijing announce the World One Minutes Exhibition which will open in June 2008 as part of Beijing's official cultural programme around the Olympic Games.
The One Minutes (TOM) established in 1998, is a brand name for moving images that last exactly one minute, titles included. The best one minutes from 100 countries will be projected on the walls of the Today Art Museum in Beijing. This will highlight the similarities and differences between the participating countries and their cultures. Over the last 10 years this event has developed into a global network with an archive of over 10 000 videos that are regularly shown at festivals, on TV, the internet etc. Videographers are invited to submit entries for selection to the organisers.
For more information, visit:
Magmart calls for submissions
From October 2007 to February 2008, the 3rd edition of 'Magmart | video under volcano' international videoart festival takes place. The Festival is realised in partnership with CAM - Casoria Contemporary Art Museum, and with the patronage of the Province of Naples. Magmart festival's online media sponsor is the art news portal ShaVis.com. Magmart festival's broadcast media sponsor is the tv channel insu^tv. The Festival activity begins on October 10 with the publishing of the call
for participation, and will end with final event, scheduled for February 23/24 2008, at CAM. On February 23, for the screening of 30 videos selected by Jury, in coordination with other artistic events. On February 24, 2008,the selected videos - which become part of permanent collection of Museum - will be screened on a loop for the Museum's visitors.
The Festival is open to all international videoartists. Participation is free. The Festival is dedicated exclusively to videoart, and doesn't suggest any particular theme.
A final selection will be based on vote from a Jury composed by experts. The 30 selected artworks will become part of CAM permanent collection. All submitted materials will not be returned, and will be stored in the Festival's archive-like documentation. Sending the participation form, the artist accept fully the present rules.
The Jury verdict is incontestable. The artist accepts that his/her own videos will be broadcast online and offline, on site www.magmart.it and on tv channel insu^tv; he/she accepts that, if selected, the video become part of permanent collection of CAM, and should be freely screened within Museum rooms. All the videos, selected or not, can be screened in any other place or event related to Festival, online or offline, with exclusion of any commercial use. Still-frame from videos can be freely used for the Festival communication, mentioning title and author of artwork. All rights on videos remain property of author.
The author asserts, under his/her own liability, the complete right of use on used materials (images, sounds, videos) and that compose the artwork; the author undertakes completely the liability for any breach of copyright laws. To participate is necessary fill out the form available online, on official website of Festival. The omission, or the incorrect filling, of one or more parts of form itself, will involve the exclusion of video by selection of Jury.
Only submissions received before midnight of December 31, 2007 will be accepted.
For more information about submission and conditions:
Specs journal invites submissions
Specs is a journal of contemporary culture and arts at Rollins College that aims to create sympathetic interfaces between artistic and critical practices. The editors invite submissions of creative and/or critical work for the annual Fall 2008 print and web issue. We seek works of fiction, non-fiction, cultural criticism, artwork, poetry, and pieces that blur genre boundaries.
The editorial board consists of writers and academics from various fields. The editors are excited by specialty, an excess of detail, fragments, narratives, meta-narratives, and more.
The deadline for poetry, creative non-fiction, fiction, and art is March 3, 2008. We accept simultaneous submissions of creative work, as long as we receive prompt notice of acceptance elsewhere. Please limit prose submissions to under 6000 words and poetry submissions to 10-12 pages.
Email submissions as word attachments to firstname.lastname@example.org
Remember to include a brief cover letter indicating whether you wish to be considered for the print edition, the web edition, or both. Please be advised that colour artwork with heavy graphics will only be considered for the web edition. Artwork for the print edition is limited to black on white work (4 x 7 dimensions).
Please also indicate the type/genre of submission in the subject heading (Poetry, Fiction, etc.).
We are also seeking art, fiction, poetry, and critical work that limits itself to one-page pieces for ONE/OFF, a special interactive section of Specs. In this section, we hope to force interactions between the print and web edition.
For more information, visit:
Dak'Art 2008 invites submissions
Dak'Art 2008 takes place from May 9 - June 9, 2008
Main events are:
- The International exhibition of Contemporary African Art
- The individual exhibitions of African artists and Diaspora Artists
- The African Design Salon
- Tribute to an African artist
- The Meetings and Exchanges / Films Projections on the subject of contemporary art
- The Digital Arts Space
The International Exhibition and the Salon of African Design are opened in priority to African artists. Some artists of the African Diaspora will also be part of the show. African artists as Diaspora artists must send application documents to the General Secretariat of the Biennale of African Contemporary Art.
Application documents must reach the General Secretariat of the Biennale by December 31, 2007.
For more information, contact:
Secrétariat Général de la Biennale de Dakar
19, Avenue Hassan II ( ex -Avenue Albert Sarraut) B.P. 3865 Dakar - RP Sénégal
Tel: (00 221) 33 823 09 18
Fax: (00 221) 33 821 16 32
The Cartier Award 2008: Call for applications
The Award for emerging artists living outside the UK is a major initiative by Frieze Projects, the curatorial programme of Frieze Art Fair, in collaboration with Gasworks and sponsored by Cartier. Artists are invited to propose a new work to be realised at Frieze Art Fair 2008 which will be produced under the auspices of Frieze Projects. Projects may take the form of site-specific installation, performance, film, video and print work.
The Award includes:
- Three month residency at Gasworks from mid-September to mid-December 2008 including accommodation, per diems and travel expenses
- Project production costs of up to 10 000 UK pounds
- An artist's fee of 1 000 UK pounds
The selection committee for 2008 is:
Neville Wakefield (Curator, Frieze Projects)
Herv Chands (Director, Cartier Foundation for Contemporary Art)
Mia Jankowicz (Residency Curator, Gasworks)
Richard Wentworth (Artist)
The Award is open to non UK-based artists within five years of graduating from an undergraduate or postgraduate degree.
Please visit www.frieze.com for more details and access to the online application form. The deadline for applications is Friday January 7, 2008.
SERVICES & COURSES OFFERED
Free, 5 minute, quality artist web portfolios for SA artists
Just email or post us your content, or transfer your details from an existing website and we will place it on your webpage for free.
For an example see www.artlife.co.za
Simply email email@example.com Text: 1000 characters of:
(1) Your name
(2) email address
(3) something about your art
(4) contact details
(5) where else your art can be found on other websites
(1) 1 Picture for free that you could email to us, or that we can take off from a website that you may be on.
Wait there's more ......
(1) You can update your webpage as frequently as you like with images and text by using your own username and password that you can give to us.
(2) Joining ArtLife entitles you to receive a 10% reduction of Global Art Information products such as The SA Art Times Subscription, SA Art Information Directory etc.
For further details please contact us directly at firstname.lastname@example.org
Our postal details are: Global Art Information, PO Box 15881, Vlaeberg, 8018.
Tel: (021) 424 7733 for more details
Offer ends May 31
Art Courses in Plettenberg Bay
We offer a unique team-building opportunity for groups who are not necessarily outdoorsy, adventurous or particularly active, yet together would learn a new and exciting skill that would last them a lifetime. The deep relaxation achieved through drawing and painting in a tranquil country setting, would greatly benefit a stressed-out group of city dwellers.
So many people wish that they could draw and paint but consider themselves to be lacking in talent. The truth is, anyone can learn the skill. David Thorpe holds art-course-holiday breaks in the heart of the majestic 'Crags' near Plettenberg Bay on the tranquil, historical farm called Redford House. In these surroundings one is offered the rare pleasure of learning to draw and paint in a naturalist's paradise with an abundance of flora and fauna from with which to draw inspiration.
'There's nothing artistic about being able to draw. It's just a logical process', says David Thorpe. We offer a variety of choices for groups to participate in from 3 and 5 day courses to accompanied tours to game farms and mountain resorts. Courses can be tailor made to meet requirements and can be held at venues closer to the groups' home city. Prices vary accordingly and will be quoted on request.
Example of a Course:
During the three day beginners' course, David will teach participants to draw in the first two days. He is renowned for his drawings, paintings, illustrations and tutoring skills and is able to help a student attain their personal goals, whatever those may be. He teaches a technique which all artists use and can easily be learned in just a few days. Having learned to draw, the course moves onto basic watercolour painting on the final day, with demonstrations and simple painting exercises with personal assistance throughout the course.
There is time in the afternoons for vists to the nearby sights of Monkeyland, Birds of Eden (two amazing experiences within a living forest), wine tasting on a nearby wine farm, Elephant sanctuary etc., all withing a few kilometers of where the courses take place.
Depending on the group's budget, accommodation is at a variety of properties from B&B type establishments to Kurland Park, a polo estate offering 5 star accommodation. Restaurants are abundant in the area, and picnics are arranged each day for the participants. The course can accommodate up to 12 people and prices vary according to the needs of the group.
Basic costs: R700.00 per person per day. This includes participation in the 3 day drawing and painting course and lunch each day.
For more info contact Eve Wilson (Marketing and Sales):
Tel: (044) 535 9771 or 083 292 3359
Fax: 086 510 2728
Geborgen Kamers invites submissions from Gauteng-based artists
The exhibition space Geborgen Kamers in the Netherlands would like to receive reactions from artists, writers or poets inspired by or living in Gauteng. We ask participants to send their thoughts or drawings to us on air mail paper, or by email.
Submitted works will be displayed from January 18 to 26, 2008.
The Geborgen Kamers (secured rooms) is an exhibition space situated in Transvaal, The Hague, a neighbourhood that is going through severe changes: condemned building are being torn down, people are being asked to move, and new buildings are being built. To ensure a smooth transition from the old situation to the demolition and the building up/new population, the city of The Hague is working with social/cultural organisations and is entrusting the area to artists. The artists use the old buildings for living and working space and often get involved with the workshops of the community arts organisations. A few art initiatives found the ground to develop their projects in own space. One of them is the Gaidaro, with their Geborgen Kamers project.
Deadline: January 2
For more information:
15th German International Exhibition of Graphic Art invites submissions
2008 will mark the 15th German International Exhibition of Graphic Art, which is now held triennially. It aims to support contemporary graphic arts. The exhibition is organised by the Kunstverein zu Frechen e.V., in cooperation with the city of Frechen. Three prizes will be awarded in the amounts of �2 500, �1 500 and �1 000.
Conditions of Entry
In order to support talented young artists, the International Exhibition of Graphic Art has introduced an age limit, inviting professional artists born since 1968 to submit their work. Entries must be executed in one of the graphic arts. New graphic practices (laser printing, etc.) are as welcome as traditional printmaking techniques
(woodcut, linocut, screen printing, etching, etc.). The work must demonstrate a convincing use of the medium chosen as an expressively powerful means to convey content and formal aspects, and not purely as a reproduction technique. Three-dimensional works and monoprints may be submitted as well, as long as they belong to the field of graphic art. The measures of each work (a+b+c) may not be more than 250 cm. The decisive factor is the innovative, artistic quality of the works.
In the pre-selection round, an internal jury will choose the artists who will be invited to participate in the final round, which is judged by the admission jury. Entries to the pre-selection round should be submitted either as colour photos (at least 13 x 18cm) or as computer prints on A4 paper (21 x 29.7 cm). Up to four works may be submitted, and each should be clearly marked with the entrant's name, and with the work's title, year, technique, and dimensions. The completed entry form must accompany the entries.
Closing date for entries is January 31
For more information:
Kunstverein zu Frechen e.V.
Call for entries: KZNSA Members' Exhibition
An annual event, anticipated by many and supported by even more, the KZNSA Members' Exhibition is scheduled for January 22 to February 10, 2008. Submission dates are January 17 to 19.
Gallery Director Brenton Maart says of the exhibition:
'Social scientist Melanie Judge describes "identity" as a process "of differentiation, a description of one's own group and simultaneously a separation from others". The first thing we learn from her definition is that identity is a process. In other words, it changes over time. It is not a fixed entity. This is a far cry from earlier social theories which sought to define groups, and fix them within narrow delimitations traditionally based on gender, skin colour, geographic location, and so on. Today, contemporary social theory understands that the process of identity formation implies that identity is fluid; in constant flux.
'The second thing we learn is that identity is a process of comparison between oneself (or one's own group) and a neighbour (or a neighbouring group). Earlier social theories sought to make these comparisons by highlighting differences, whilst more enlightened, contemporary theorists introduce the notion of similarities as a more accurate way to describe and promote constructive relationships.
'A further characteristic of post-modern identity theory is the notion of multiplicity: the fact that a number of identities can co-exist, simultaneously, within one person or within one group. Thus, it becomes more accurate to start talking about identities, in its plural form.
'Closely tied to identity theory is the notion of representation: who is talking on behalf of whom. Today, it is accepted that the most truthful and accurate description is in talking only about yourself, leaving others to talk about themselves.
'The implication of these contemporary theories of identity present a rich and exciting field for the artist: to try to capture this fluidity - this constant conversation, this multiple flow of the construction of meaning, this simultaneous existence and manifestation of a myriad of possibilities - using the tool of the visual.'
For further information or an entry form, please contact email@example.com
Invitation to apply to the Bag Factory Video Art Programme
Although it is arguably the medium du jour in capitals like New York and London, video art is still very much an emerging form in South Africa, practiced by only a few artists who have access to the required equipment (which is mostly beyond the financial reach of individuals). The technical knowledge required for production is also beyond the ken of many emerging artists.
Under the leadership of Johan Thom and co-presented by Garreth Fradgley this series of workshops is focussed on exploring contemporary practices in Video Art and teaching the practical and conceptual skills needed to produce professional video art works. This workshop acknowledges that is imperative that contemporary South African artists are given the skills to contribute to this form of cultural expression.
The primary aim of the workshop is to introduce into the vocabulary of young South African artists theoretical and practical knowledge of:
Video Art as a contemporary art form locally and abroad
Cinematic language, tools and terminology
Practical Skills training - camera handling, basic lighting, editing, props, DVD Authoring etc
Conceptual skills training - evaluating video art, the relationship between concept and form, image and sound
The workshop will divided into a series of lectures, group/ individual exercises and discussions aimed at evaluating the relationship between Video Art, its practices and theories, and its capacity for inspiring new directions in contemporary South African artistic expression.
At the end of the workhop each student will have:
A Functioning DVD containing the final art work they produced
A Master DV Tape
The 14-day course will cost R1 000. Three full bursaries available to students in need. Bursary candidates need to make a clear indication as to why they should be considered eligible. All production costs are subsidized by the About Art Programme at the Bag Factory - this subsidy exceeds R10 000 per student.
For more information on the course and to apply, contact:
Eden to Addo Land Art Project invites interest
There is a unique conservation initiative happening in the Garden Route area, which is working to create landscape linkages through conservation corridors between the three Mega-Reserves of the area, namely: the Knysna forests, Baviaanskloof and the Addo Elephant National Park itself.
One of our projects for this year is to create a Land Art route through the corridor with eight selected sites for the installations. To achieve this we aim to have a Land Art Workshop that people can attend in October which will hopefully result in a number of installations.
For more information:
Africa e Mediterraneo Award for the best unpublished comic strip by an African author 2007 - 08
Africa e Mediterraneo association is launching the fourth edition of the Africa e Mediterraneo Award for the best unpublished comic strip by an African author 2007 - 08. The competition is open to African artists living in or outside Africa wishing to tell their own stories, to draw life conditions in Africa, to denounce the lack of human rights, to describe conditions of migration or to free their mind and creativity.
The award is composed of three sections:
- Creative cartoon - free subject
- Cartoon on human rights
- Stories of migration
The cartoons can be in black and white or colour, but they must be unpublished: the maximum length is 4 pages, and the maximum format 35cm x 50cm. The technique is open. Stories written in African languages or in Arabic must have a translation in English, French or Portuguese.
The original artworks, along with an application form (which can be download from www.africacomics.net) and a brief CV, must be sent by post to Africa e Mediterraneo assocation.
The winner, one for each section, will receive 600 Euros and the possibility to publish a personal album. In addiction, the best 40 works will be published in the Africa Comics anthology, and included in an exhibition that will be presented in Italy and in Europe.
Submission deadline: December 15, 2007
For more information:
Africa e Mediterraneo
Via Gamberi 4, 40037 - Sasso Marconi, Bologna - Italy
Tel: +39 051 840166
Fax: +39 051 6790117
Email: firstname.lastname@example.org or email@example.com
Call for Submissions: Africa Biennale 2008
This is an open call for submissions by contemporary African visual artists to the Africa Biennale 2008. AVANT CAR GUARD is proud to announce having secured both operational support and project funding from the art world and corporate entities, and in this capacity will be producing a prestigious showcase of this country's hidden secrets to the art world. As we know Africa is a country that has long operated outside the world, and it's time to bring the world back into the fold and celebrate together the riches of this often misunderstood and mysterious country.
Avant Car Guard
Buitengracht Street, Cape Town, South Africa
Tel: (021) 123 4567
AVA's Artreach fund invites applications
The Association For Visual Arts' Artreach fund was founded by committee members in the late 1980s to help raise funds for various charities in Cape Town. In the 1990s it was transformed into a more focused fund for the financial assistance of visual artists. To date, AVA's Artreach fund has sponsored art materials, art studio rentals, workshop fees, art tuition, art classes for children in Langa, a sculpture peace park, a street youth drawing project, a gallery in an art school, art catalogues, exhibition expenses for shows at AVA, framing charges and production costs for exhibitions.
AVA's Artreach programme is an initiative aimed at broadening opportunities for visual artists in South Africa by creating artmaking possibilities, by encouraging art education, by promoting through exposure, and by advancing cultural production across a wide spectrum of visual arts media. The programme is co-sponsored by Absolut Vodka and with Lottery funding.
The Artreach committee meets on a monthly basis. For details with regards to applications Please check www.ava.co.za
Call to Artists, Architects and Interior Designers
Through the course of 2005 The Trinity Session sourced and commissioned 1500 artworks for the Raphael Penthouse Suites and Michelangelo Towers in Sandton, with a view to giving the rooms in the hotel pool an original and authentic South African edge. Working closely with the interior designers, developers and the artists, The Trinity Session was able to mediate the needs of all parties and deliver a product that has been well received by owners and visitors alike. A defining factor of this project was that the commissioning process which engaged some 70 artists, in turn creating significant social awareness and local support. The project also included placing art in the corridors and public spaces in the hotels and the adjacent mall. Legacy Property Holdings received a BASA Award for this initiative in May this year.
The impact on the lives of the artists involved with this project was substantial and the lessons from this process have demonstrated the significant impact that original works of art have on shifting the perception of space and functionality in terms of design, leisure, status and brand awareness.
The Trinity Session aims to further engage such collaborations.
For more information please contact: firstname.lastname@example.org
Artists can send examples of their works (low-resolution) and contact details to: email@example.com
Africa e Mediterraneo invites you to contribute to a bibliography on contemporary African art
The next issue of Africa e Mediterraneo will be focused on contemporary African art, related through testimonies regarding expositions and publications which have used and interpreted the concept of 'African contemporanean art'. Therefore, contemporary African art is not considered as a style, as a specific group of artists or as the production coming from one or more locations, but as the history of a 'label' which sometimes has made easier, sometimes conditioned in its own way the perception of African production and of certain artists' groups.
Iolanda Pensa is currently working on the bibliography which will be published on the magazine: this bibliography includes expositions, publications and reviews which directly or indirectly have enriched the concept of contemporary African art (therefore we will exclude from the bibliography artists' monographs, studies focused on a single country and works regarding exclusively Afro-American artists, unless where the intention of inscribing those works in the field of contemporary African art is clearly specified).
In order to have a flexible tool, we have decide to work directly on Wikipedia (http://it.wikipedia.org/wiki/Arte_contemporanea_africana), allowing third parties to change, enrich and rectify the information, and allowing the bibliography currently updated.
Wikipedia is a very interesting tool but still less used, in particular by people working in the field of humanistic studies. As Wikipedia is a free encyclopaedia, it certainly needs any possible contribution, specially when those contributions come directly from experts.
If you wish to join the project, you can register yourself and insert your modifications directly on Wikipedia.
Iolanda Pensa set up the bibliography and is currently editing it
Tel. 335 655 3633
The version of the bibliography updated till the July 10 will be published in Africa e Mediterraneo #55.
Journal of African Art History and Visual Culture: Call for Papers
'Is African Art History?'
Critical Interventions: Journal of African Art History and Visual Culture is a new peer-reviewed publication for studies in the history of classical, modern, and contemporary African arts, slated to begin publication in Spring 2006. We invite submissions for the inaugural issue titled, 'Is African Art History?' Essays addressing the problem of history in continental African art practice are welcome, especially those that engage directly with ideas of modernity and that propose or critique a clearly articulated methodology.
Critical Interventions will publish scholarly Art Historical essays about objects and critical discourses in African arts and visual cultures. Comparative work rooted in developments in Africa that links African art to the Diasporas, to Europe, Asia or to the Americas will be considered. We are seeking essays that illuminate the place of art in specific historical processes and evaluate the theories and methods produced through the study of African art history.
Critical Interventions will provide a forum for established and younger scholars whose writing is based on extensive research into the problems of modernism and modernity in African art and comparable areas of research. Submissions may focus on any area of modern and contemporary art and visual or material culture, including popular art, neotraditional forms, studio art, film, photography, architecture, and new media. Essays that review the history, appraise the present situation, or propose the future course of modern African art studies will be viewed favourably.
Submissions must be original and previously unpublished work submitted both in hard copy and also in electronic form saved in Microsoft Word. Articles should be between 6500 and 8500 words and may include black and white and colour images scanned to disk at 300dpi. All copyright resolution issues are the responsibility of the author and copyright permissions must be included at the time of submission. Send articles to:
John Peffer, Editor
C/o HAVC, Porter Faculty Services
University of California
Santa Cruz, CA 95064
Inquiries may be sent to firstname.lastname@example.org and email@example.com
Submissions invited for work to be sold in a variety of venues worldwide
ArtAnts markets and sells giclée prints of artworks internationally. We need thousands of artworks.
We have a unique new marketing strategy for the prints that includes displaying catalogues of art in coffee shops, curio shops, framing shops and other venues worldwide. We keep these venues interested in displaying the art by paying them a commission of 10%. We have special technology for determining which orders result from which catalogues displayed in which venue.
Since we print each catalogue individually, we can display different artworks in each catalogue in each venue, which means that we can represent a large variety of art from many artists.
The giclée printing process allows us to make prints one at a time without storing an inventory of prints. It also allows us and the artist to break even on the first sale and to start making a profit from the second onwards. This means that it is financially viable for us to give the opportunity to all artists to sell prints of their work - even if just one or two prints will ever be sold.
For more information, visit www.artants.com/artists or email firstname.lastname@example.org
Unseen City invites contributions
The youth of Cape Town and Amsterdam, two cities that are both torn and connected by history, convene in this project and show a new urban reality through the use of the arts. Artists are invited to submit relevant work on the website.
Want to see your work on the world wide web? Want to share your urban experience? Interested in connection? Join artists, designers and photographers from Cape Town and Amsterdam in this unique web-based project.
Enjin Museum of Dead Media
Enjin in collaboration with The Trinity Session is embarking on the development of a Museum for Dead Media. The purpose is to call the public's attention to the significance of collecting or preserving one's redundant or dated technology, reflections on ways in which these tools are still applied in creative processes and of course to reflect on the advancements in new technologies and media. Key to this project are questions around what shape and form a museum of dead media could take. Is it a building, a collective networked data system, a discussion forum or a series of presentations and features in future issues of the magazine and dvd supplement. The first steps towards this project manifest in the Hobbs/Neustetter installation at Design Indaba and the call for interest and ideas on creative uses of dead media, and concepts for the 'museum'.
Who is involved?
Enjin is South Africa's leading resource for creative professionals, brings you comprehensive coverage of the art of design, 3D, animation, video, effects, web and interactive design. Enjin addresses the needs of those within the digital media market by providing relevant and forward-thinking content. Now in its sixth year, Enjin Creative Magazine consistently delivers the content that people want to read.
The meeting of Stephen Hobbs and Marcus Neustetter as an artist collaborative fuses their interests in urban social change and virtual culture. Over the years their artistic practices have resulted from experimentation with the juxtaposition of high and low tech, dead and new media interventions. These experiments manifest in public space, galleries and museums and in the arena of their artist lab: the Trinity Session. Taking into consideration the exclusivity of the museum and gallery context, current projects focus on social research and mobile platforms enabling their artistic expression.
Directed by Hobbs and Neustetter, The Trinity Session is a contemporary art production team that investigates the strategies and relationships between art and business, collaborative practice, network development and creative contextual response. As Hobbs' personal artistic interest is the urban environment and Neustetter's the digital and virtual, the thematic focus of The Trinity Session revolves around these subject areas. Heavily informed and influenced by context, The Trinity Session defines its approaches from a position within Johannesburg, South Africa, thusdetermining its attitude tolocal and global debates, networks and partnerships for survival and sustainability of the visual arts industries. By acting as correspondents and consultants, and approaching the work process from a network and 'accommodation and exchange of information' angle, the purpose of the working dynamic is to produce in a cross-platform multidisciplinary way with artists, institutions and corporate brands and services. Interests lie in interdisciplinary working methods, conceptualising and interacting with like-minded partners.
Enjin is building a museum and we need your help. Create a visual piece in any format or material. Submit your personal or professional interpretation of dead media to Enjin magazine for inclusion in the Enjin Museum of Dead Media. Works will be selected to feature in future editions of Enjin magazine, and for pride of place in the Museum. There are no entry restrictions - all visual comments on the theme of dead media are accepted and encouraged.
For more info, download the emodm brief and submission form from www.enjin co.za.
Send your museum piece concepts and proposals to email@example.com . Call (011) 339 2785 or 381 7711 for further information.
Gallery in Georgia,
USA seeks South African artists
Fine Art Gallery in Roswell, Georgia (USA) seeks talented artists
from South Africa. The gallery is located in an affluent part of
the city, surrounded by other galleries, bookstores and fine restaurants.
Please submit work and resumé to:
Laramee Fine Art
984 Canton St.
Roswell, Georgia (USA) 30075
Email submissions should be sent to: firstname.lastname@example.org
AVA invites submissions
The Association For Visual Arts (AVA) in Cape Town invites submissions
from visual artists who wish to exhibit at AVA from 2004 onwards.
The Selection Committee of the AVA meets every two months to review
submissions and the next meeting takes place on Wednesday, November
19. Selection meetings take place every second month thereafter.
Interested artists should bring to the gallery six to eight works
(these can be supplemented by visual material such as slides and
photographs), a CV and a short letter of intent or an artist's statement.
The committee is most interested in reviewing the work that the artists
wish to exhibit or else their most recent works. Artists can collect
their works the day after the meeting.
In addition, any curators wishing to curate exhibitions for AVA
should submit proposals to AVA's Selection Committee.
AVA is committed to the ongoing promotion of art and artists, both
emerging and established, both formally trained and self- taught.
For more information, contact Estelle Jacobs.
Association for Visual Arts
35 Church Street, Cape Town
Tel: (021) 424 7436
Fax: (021) 423 2637
art to AIDS orphans auction website
Last year the Art for AIDS Orphans auction raised over a million
rands for AIDS orphans. Organizer Nicci Bailey is currently setting
up a permanent charity website gallery, www.art4aids.co.za, and are
requesting that all artists who would like to donate a piece for
this worthy cause to log onto our site.
Contact: Nicci Bailey
Studio space available at The Bijou in Cape Town
A large second floor studio is currently available for immediate occupation at the Bijou Art Studios in Lower Main rd. Observatory. The space can easily accommodate two artists. Rent is R1250 per month and one month's deposit is required.
Tel: Liza 083 256 1170 or Pierre 072 507 5951
GoodHopeArt studios invites applications
GoodHopeArt provides studios for visual artists. The studios are working and exhibition spaces with facilities for local and international, professional artists to develop their careers. GHA offers bridging workshops, life drawing sessions, in-service training and mentoring programmes for newly qualified artists. Candidates work in conjunction with experienced artists and mentors.
GoodHopeArt is a dynamic organisation and fulfils specific and essential skills for artists who are serious about entering the professional art industry.
For more information, contact Nico Eilers
Tel: 083 285 7874
Fax: (021) 949 8270
Durban Art Gallery seeks gallery assistant
A contemporary art gallery in Durban is looking for a gallery assistant, is interested in all aspects of running a gallery. Send a cover letter and your CV
Listings in Contempo magazine
New arts, culture and design magazine Contempo is offering an opportunity for artists and galleries to advertise their exhibitions and listings free of charge.
Send your information about the exhibitions taking place at your gallery over the period of May - mid July. The format should be as follows:
Name of Gallery:
Date of exhibition:
You may include a short blurb about each exhibition as long as the number of words does not exceed 450 in total. Please email your information to email@example.com. The deadline for these entries is the Monday, May 8.
ArtMoves Africa: Mobility of artists and cultural operators within the African continent
ArtMoves Africa (AMA) is an independent non-profit association aiming to facilitate cultural and artistic exchanges within the African continent. AMA offers travel funds to artists, arts professionals and cultural operators living and working in Africa to travel within and between the five African regions in order to engage in the exchange of information, the enhancement of skills, the development of informal networks and the pursuit of co-operation.
AMA is a project initiated by the Young Arab Theatre Fund (YATF) together with a group of African and Arab organisations to facilitate and encourage the mobility of artists and cultural operators within the African continent. In 2001, YATF participated in meetings in Egypt, Kenya and Zimbabwe, together with different organisations and cultural activists from Africa and the Arab world. The meetings aimed at linking organisations and individuals, and creating informal continent-wide networks. The participants agreed that one of the major obstacles for artists and cultural professionals in Africa was the persistent lack of funds specifically allocated to support travel.
* Facilitate cultural exchanges in Africa for individual artists and cultural operators, and cultural organizations
* Encourage artists and cultural operators to exchange experiences, information and ideas towards shared projects and artistic collaborations
* Give artists and cultural operators the opportunity to gain a better knowledge of the context and the cultural environment in the different regions
* Encourage independent initiatives and small projects by giving artists and cultural operators the opportunity to meet with their counterparts and partners
* Give artists and cultural operators the opportunity to attend festivals in order to see each other's work to enrich their own creativity
* Give artists and cultural operators the opportunity to enhance their artistic or technical skills in participating in highly professional artistic and arts management workshops, seminars and residencies for artists
* Encourage the mobility of artists and cultural professionals as well as the mobility of information
For the first year, AMA will be functioning as one of the programmes of the YATF, but with an independent selection committee and coordinator. By the end of 2005 ArtMoves Africa shall be registered as an independent international association in Africa.
For more information, contact Khadija El Bennaoui:
Tel/ fax: +32 2 2031295
Young Arab Theatre Fund a.i.s.b.l.
19 Square Sainctelette, 1000 Brussels, Belgium